Justin Timberlake may stepped away from audio to launch his acting occupation, but after 5 prolonged yrs, he’s bringing attractive back to pop audio. But that he’s also introduced a little bit of the film market back with him.
Never ever Let Me Go director Mark Romanek has accompanied Timberlake’s return to pop audio, directing JT’s Black Mirror-impressed audio video clip for “Filthy.” This is not their initially time doing work with each other both – Romanek directed the audio video clip for “Can’t Stop This Experience,” Timberlake’s a single-off musical stint in the midst of his acting career to make the concept track for Trolls. Is their 2nd collaboration an additional hit? Observe the audio video clip to come across out.
Justin Timberlake Filthy Songs Video
Donning a black turtleneck and glasses à la Steve Positions, Justin Timberlake pops and locks his way on to the phase of a around-potential engineering presentation — the “Pan-Asian Deep Studying Conference” in 2028, to be exact. JT’s tech expert sings an introduction for his new creation before bounding off phase, his sophisticated robot dancing into the spotlight. Off on the sidelines, JT dances the moves that his robot mimics and perfects, surprising and awing the viewers. But then matters get unusual: as the psychedelic synth-pop track receives to its moody bridge, the demure dress-clad dancers that earlier accompanied the robot suddenly get exchanged for sexy bikini-clad dancers, writhing along with JT’s equally attractive robot. As the effectiveness ends and the viewers offers a standing ovation to the triumphant robot, Timberlake all of a sudden finds himself glitching. Soon, Timberlake turns into a mass of pixels, his dancing soul absorbed into his attractive robot.
The whole “Filthy” video clip plays like a satirical twist on Black Mirror and on Timberlake’s own catalogue of seems. It could probably be a thematic sequel to his breakout “FutureSex/LoveSounds” album — he even sings a reference to his major hit “Sexyback” (“guess I received my swagger back” he croons).
The track by itself is a little bit of an artificial mess, a deep bass throbbing during the funky track and disconcerting wub-wubbing noises that act as the conquer. But the track is oddly harmonious with the video clip by itself, as if Justin Timberlake’s best hits ended up set in an echo chamber to be superficially imitated by engineering. An uncanny valley edition of a Justin Timberlake track, if you will.
But the audio video clip is excellent exciting, and section of Timberlake’s recurrent historical past of collaborating with acclaimed administrators, which includes his Social Community director David Fincher, who helmed Timberlake’s “Suit and Tie” video clip. And if you are curious about far more of Timberlake’s film-audio collaborations, you should also look at out Jonathan Demme’s audio documentary Justin Timberlake + the Tennessee Kids, now streaming on Netflix.
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